Thursday, June 12, 2014
Hospital - heart trouble
Tony had heart trouble, it seems since 1981 in my memory. So he regularly ended up in hospital. there are several pen and ink drawings he made portraying nurses. Probably he gave away most of these portraits to the nurses who were kind to him. So just a little drawing, unsigned and not dated.
The medicine circle and the bike
Tony had a hard time doing nothing, in 1992 he had build a swimming pool in a wooden coral. it turned out that as soon as when we went shopping kids would jump into it, unsupervised obviously. As a consequence we had to tear it down, gave the pool to a neighbor with kids and used the coral to fence in my two griffons. The pool left this wonderful impression in the dust and Tony decided to make a medicine circle out of it. He put all kinds of good stuff under the cement: salt, corn and such. The bike project was probably in 1995. He gave this bike to a dear friend Dale who unfortunately crashed with rather severe consequences for himself. Bill Hamilton found Dale in the desert and got him and the bike home.
Labels:
at work,
Life,
Native American/Indian,
two projects
Monday, June 9, 2014
The pond
THE POND
Morning in Hoboken. Light meets me again, the light
of long languid days at the pond near Lawrence Hall.
Oh, eight again in the orphanage of Chicago!
(My Cherokee daddy took a deadly drink of acid,
run-down by the taunting sneers about his lineage.)
All the time of the world. I and the boys never plan,
it all happens to us of itself, like one day
just being dropped here of itself. It is a tacit covenant:
misery we drown together in this secret pond
in the middle of the woods. All our senses sharp.
All gradations of green circle the glade where clouds
touch water, pink veils brought in by the wind.
I hear yesteryear’s sounds: the song of redwing and hummingbird
blending with our high voices of boys and the diving,
the breaking and splashing of water. We looking for water turtles.
Briefly eight again in the orphanage, but the screeching
of the seagulls brings me back. Winter in Hoboken.
Fog collars me now. Singularly touches me,
mutes colors and sounds. People hurry by, numbed and lost
deep in themselves. It is the restraint that strikes me here:
of the light hardly showing color, of the pigeon on the branch in the mist,
of nothing still stirring, of sound we gave a name but continues
to stutter strangely in the ears and, if at last the sun breaks through,
the shifting of shadow and light. It is my heart that is touched here.
Years and years beyond words.
Morning in Hoboken. Light meets me again, the light
of long languid days at the pond near Lawrence Hall.
Oh, eight again in the orphanage of Chicago!
(My Cherokee daddy took a deadly drink of acid,
run-down by the taunting sneers about his lineage.)
All the time of the world. I and the boys never plan,
it all happens to us of itself, like one day
just being dropped here of itself. It is a tacit covenant:
misery we drown together in this secret pond
in the middle of the woods. All our senses sharp.
All gradations of green circle the glade where clouds
touch water, pink veils brought in by the wind.
I hear yesteryear’s sounds: the song of redwing and hummingbird
blending with our high voices of boys and the diving,
the breaking and splashing of water. We looking for water turtles.
Briefly eight again in the orphanage, but the screeching
of the seagulls brings me back. Winter in Hoboken.
Fog collars me now. Singularly touches me,
mutes colors and sounds. People hurry by, numbed and lost
deep in themselves. It is the restraint that strikes me here:
of the light hardly showing color, of the pigeon on the branch in the mist,
of nothing still stirring, of sound we gave a name but continues
to stutter strangely in the ears and, if at last the sun breaks through,
the shifting of shadow and light. It is my heart that is touched here.
Years and years beyond words.
Painting a clown on a trapeze in Chloride
This painting was done in 1998 in the front room of the gas station. The first beginning is at the top left, the second phase, botom left near the end when the light was getting low. For good measure sake also look at the smaller pallet he used and the freshness of the colors on it. He always used oil paint never acrylic. It sadly was Tony's last summer in Arizona... If you click on the picture it should get bigger.
Labels:
Chloride,
circus and harlequins,
figurative,
Life,
oil,
pallet
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