Nello's dream

So many years later Tony's work still unleashes emotions in Hoboken. Claude, here in the picture of the newspaper which picked up the story, alerted me to the fact that Tony's painting 'Nello's Dream' was in storage in a cellar since the closure of the information center. Not living in Hoboken  anymore, I hadn't caught up on the fact.  So I wrote a kind letter- in the press they wrote a disgruntled letter- made a phone call and behold the district secretary personally hung the painting again against the wishes of those who thought the colors clashed with the wall... Well All is good that ends good and I do wish to thank all who made it happen.

Nello and Patrache

The old story which played out in Hoboken near Antwerp, was dear to Tony's heart. he identified with Nello, who was also a good painter. After some reshuffling in the district the painting had vanished and people who care alerted the blog. A few telephone conversations further and one letter, I am glad to announce that the paiting: Nello's dream will be displayed again in the districts house of Hoboken. Good news!

Watercolor lady

When I was contacted for some information by Kari about the above piece I wrote:  It looks like an early work of Tony. I would guess between 65 and 75... based on other work from that period I have seen. How did you come by it? Was it a gift. It definitely is an original. Thanks for sharing.  Her answer was:

Hi'
So nice to hear from you.. I have had the painting for about ten years. Got it at an estate sale in the fairfax district.  Embarrassed to say first I was attracted to the colors as they matched my bedroom. Well once I got it up, I really loved it.  I see it first thing in the morning and literally discover something new all the time. I think it was months before I realized she was in front of a mirror!  I see new colors,facial expressions and even clothing whenever I really focus. I never researched the art because I just loved it. I have been low on funds and selling a few things in the house and thought "lets just check it out"
Reading your blog has been fascinating and I sure wish I had met Tony. Great to hear she is original, but the whole story is too cool to want to let her go anytime soon!
My husband has the picture on his laptop.and my tech savy is lacking. I will get him to send it to you, but wanted to return your kind note A.S.A.P.  Thanks again! Kari

It is good to complete the collection of Tony's work online. Thanks to all who share their work with the rest of the world.

Family Portrait?

Kim send me a picture of this oil painting requesting some information.  The best I can do is confirm that it is an early sixties painting by Tony. The lady in it could be Anne. The male figure is not a self portrait, but a more Mexican type. This could mean the painting could be from the period he lived between Tijuana and Los Angeles. He must have been in a romantic mood when painting it.  Thanks for sharing

Animals

I received a comment on the post of December 28, 2008: The Animals. I had written it was from de DL collection. It is part of the pictures a dear friend, living in Los Angeles took over the years of Tony's work. That is what it means.

The missing melody

For those who never saw a bit of acting by Tony Mafia here is a rare occasion at Youtube

Tony as a young waiter and very serious indeed.

Thank you David for sending me this link.

Whisky-A-Go-Go

Gia wrote: Hi Tumbleweed - I am in possession of three Tony Mafia pics from my parents who owned the Whisky-A-Go-Go in the 60's. How can I find out about these paintings? Thanks.
That was the question I was asked so I asked a friend who was there when it all happened.Dale's answer: On the corner of Sunset Blvd. & Doheny Dr. near the west end of the fabled Sunset Strip, up until 1962, there was a Music Conservatory, where folks went to learn and practice dance, music, the physical arts. A fellow named Bill Gilbert bought it, 'cause he had an idea to start a nightclub which would attract neat young ladies after work, where he would give them a 'club' where they could freshen-up, come down a flight of stairs into a nightclub, making whatever kind of an 'entrance' they liked, and be served a free drink and snack food. His idea was, 'Where the chicks are, the guys will follow'. Great concept, but for a lot of reasons it didn't fly. Meanwhile, the disco rage was going in the east, with pole-dance-type chicks gyrating in cages, so Elmer Valentine, who owned and ran the Interlude, a club on the Strip upstairs from another famous LA nightspot, the Trocadero, joined with Phil Terrazini, who owned and ran the Losers, a hot spot on La Cienega Blvd just a block down from the Strip, and they bought the failed Party (Bill Gilbert's failed club), and turned it into the Whiskey a Go-Go (known as just 'The Whiskey').

While it was the Party. Bill had hired (used?) Tony to decorate and do paintings for the club, and I don't remember why, but one day while it was just being started to be built, I wandered in, and somehow got inveigled into doing the sound system for the place. Tony and I hit it off, and one day we got to feeling pretty good, and he was looking at my almost new '61 T-Bird convertible, and asked me if I'd like my car painted. I said. 'Are you nuts?!' The paint is perfect.  (It was a medium to light blue). He said, 'No, I mean I'll paint it'. At that time, you could still buy lacquer paints, so we went to an auto supply store, and Tony picked out about six or eight different colors (Blue, White, Green, Red, Yellow, etc.) of half-pint cans of lacquer. Then we spent the afternoon up in the upper back parking lot of what is now the Whiskey (Which was designed as where the chicks would come into the Party women's club house), and Tony painted ladies, dancing girls, horses, flowers all down both sides of my 'Bird. This was way before kids were putting daisies and doing wild paintings on vans (except, maybe, for Ken Kesey), and the car attracted a lot of attention. In fact, the first time we took it across the border, it was as if we were leading a parade down the main street of Tijuana. Back to the Whiskey: The opening act was (damn, I can see him in my mind, and hear him, but can't remember his name. A little guy, but he could sing, had several top hits, you can probably look him up), and the crowd was great, Girls were dancing in cages suspended from the ceiling, the music was rocking. guys were picking up chicks in multiples to go somewhere and ball, chicks were picking up chicks and couples, and vice versa, it was a swinging place, long before the NY scene. Funny vignette, a couple of guys I knew from Hewlett-Packard were just developing the very first home TV tape-recorder/cameras, and gave me a demo to take to the opening, which was in the after noon, and I set the camera up on the balcony overlooking the front entrance and stage (Which at that time was right in the front corner of the building, exactly on the corner of Sunset and Doheny.) A lot of Hollywood type s came to the Party with their chicks and assorted ladies, and after a while, when they noticed the camera, a bunch of them went bananas and threatened to 'Burn this F***ing place down if you don't get rid of that camera and destroy the tape'. Everyone loved Tony's paintings, and I'm pretty sure that when Gilbert sold the place to the Whiskey, he sold a few of those works, and I doubt Tony saw any of the money. At that time, Tony had an apartment above a drug store on Santa Monica Blvd, just a few blocks east of Doheny, so he could easily walk, not only to the Party/Whiskey, but also to Doug Weston's Fabled folk-music club* which was right adjacent to the corner of Santa Monica Blvd and Doheny Dr. where Tony was Master of Ceremonies for the Monday night Hootnannies, where folks like Judy Collins, the Smother Brothers, and Joan Baez, et.al, used to perform when they weren't out on the road. Good times, Thanks for bringing back the memories. Tony was poor (financially, as usual) but you did not have to feel sorry for him. One morning I came in from Vegas, and picked up a couple of bags to food to take to Tony at that Santa Monica Blvd. apartment. He usually left the place open, and I knew where he 'hid' the key, so after I knocked and he didn't answer, I walked in and started putting stuff in the fridge and cupboards. 'Hey, what's up', I heard, and turned around to see Tony's head above the back of the couch. 'Just bringing you some breakfast and other stuff', I said'.  'Cool', he said, and 'Meet Darla', as a beautiful lady's head rose up next to his from the couch. 'I know her', I answered, for in the sack with Tony, gratis I'm sure, was the most expensive hooker in Las Vegas, at the time.
* the Troubadour.

For questions about the paintings, you need to send a picture of them and we'll figure out what we can tell you about it. Post a comment with your e-mail, I reply.

Torero

Dear Attila, thank you for your questions about Tony Mafia and this particular painting. From your description of the support (a kind of board with canvas on one side) for the painting I gather that he painted it in the United States. Probably in Los Angeles, California, in a period that he didn't have a real canvas and was a strugling artist without funds. It definitely is an original and a fairly early work I think, based on the way it is painted. I would say it is after his stay in Casares in Spain. The painting seems to be in good condition. That, the subject, also the size decides the value. A collector of Tony Mafia's paintings or a bullfight lover, might want to spend some money on this canvas. Bullfights were certainly a recurrent theme in his work. He loved the flamboyance and the vibrant colors, the life and death issues dealt with through beauty and ritual. I would put a 5.000 $ price for a particular sale. It may take a while however to find the person who would fall in love with the painting and willing to invest his money in Tony's work. I know for a fact that after the stay in Casares he had a show in Rue St. André des Arts in Paris with Spanish and bullfight paintings and that the show sold out. I heard it a couple of years ago from the Gallery owner Madame Besnard. So it might be a good thing for you.